Resume of theatrical work
I have several decades of experience in woodworking and theatre shops, with a wide range of skills. A good member of a team, I can also happily work on projects myself from start to finish. Every job is serious, but every job can also benefit from a bit of fun, so expect dad jokes. A Jill of All Trades, I’m a knowledge sponge and love to apply my craft across all media.
A seasoned manager, I love to lead a team. Recruiting fresh talent and supporting them as they learn and grow in their careers is immensely gratifying.
Management Skills
Oversaw procurement and production of props for up to 20 live stage productions annually, ensuring timely delivery, high standards of quality, and adherence to creative vision.
Managed departmental production budgets ranging from $50,000 to minimal resources, consistently delivering projects on time and within budget.
Optimized workflow by streamlining shop operations including warehousing, resource allocation, project and annual scheduling, and task prioritization.
Acted as departmental liaison with management, show-specific creative teams, and my departmental peers.
Facilitated communication and collaboration among designers, directors, stage managers, actors, musicians, and technical departments (e.g., costumes, sound, electrics, scenic, paints, and backstage crews) to achieve production goals efficiently. Coordinated with stage management to build, update daily, and finalize prop list for each production throughout rehearsal process.
Lead teams of two to twelve artisans and shoppers including recruitment, training, performance management, and mentorship, fostering a supportive and productive work environment.
Planned annual calendar for show builds including hours projections. Tracked actual hours against projection to stay within budget.
Defined organizational, safety and cleaning standards for workspaces including office, workshop, and warehouse facilities. Spearheaded warehouse inventory project and moved two warehouses. Built and maintained an SDS library. Chaired the Safety Committee at SCT.
Served on the Equity, Diversity & Inclusion Change Team at Seattle Children’s Theatre.
I believe in equity: treating people equally, fairly, and justly.
I believe in diversity: that a diverse group of participants helps us build context for new ideas. It builds empathy and makes us better human beings.
I believe in inclusion: welcoming everyone to the table. We all have different gifts to offer, and the practice of inclusion makes us more interesting and stronger.
Crafting Skills
Table saw, band saw, jointer, planer, chop saw, belt/disc sander, router, jig saw, mortise and tenon, biscuit joiner, Dremmel, random-orbit and hand sanding. Veneer and hand-cut joinery. I can do fine woodworking or fast woodworking, as fits the situation.
Chop saw, mig welding, grinding, shaping, soldering.
Basic wiring for lamps, installing light fixtures, building electrics into props.
Industrial and home sewing machines, serger, button-setter, hand sewing. Upholstery including button tufting, drapes, pillows, throws etc. I can sew clothing but it’s been a while. Oh, and I can knit.
Stained glass: all cutting, grinding, and assembly. I’ve built mirrors and picture frames, and know how to handle glass safely.
Excellent facility with hand tools.
Experience
Properties Shop Manager
Two decades of experience
Intiman Theatre
La Jolla Playhouse / UCSD
Seattle Children’s Theatre
Intiman Theatre
La Jolla Playhouse / UCSD
Seattle Children’s Theatre
Shopped, procured, and managed building of properties for live stage productions, up to 20 shows annually, on multiple stages.
Communicated with designers, directors, stage managers, actors, musicians, and other shops (costumes, sound, electrics, scenic, paints, and backstage) to coordinate and deliver properties on time.
Managed budgets from a few hundred dollars to tens of thousands per show, along with an annual shop allowance, always coming within budget annually.
Supervised staff of 2 to 12 artisans, wrote and delivered annual reviews, and managed payroll. I made it a point to understand my employee’s interests and strengths in order to assign projects to be built most efficiently and to keep my employees engaged and motivated. Empowered my team to work together and handle situations in my absence.
Properties Artisan, Rigger & Stagehand
24 years’ experience
5th Avenue Theatre
City of Seattle
Intiman Theatre
La Jolla Playhouse
PNW Ballet
Seattle Children’s Theatre
Seattle Opera
Seattle Repertory Theatre
South Coast Repertory
Studio Arena Theatre
The Scenic Space
The Old Globe
5th Avenue Theatre
City of Seattle
Intiman Theatre
La Jolla Playhouse
PNW Ballet
Seattle Children’s Theatre
Seattle Opera
Seattle Repertory Theatre
South Coast Repertory
Studio Arena Theatre
The Scenic Space
The Old Globe
I built props & ran plays, musicals, ice shows, conventions, rallies, rock shows, and orchestral performances. Loaded and struck and ran various types of productions including operas. Rigged primarily rock concerts.
Education
Bachelor in Fine Arts in Design
concentration in furniture, minor in Italian, magna cum laude
Buffalo State College, Buffalo, NY
My degree requirements included a high number of studio classes and art & design history classes. Increased exposure to multiple disciplines within design suited me, as I like to work in multiple media. This broad skillset served me well when building furniture and theatre props, both truly mixed-media forms of art. My knowledge of art and design history helps me understand what designers are looking for, which helped me be a better shop manager.
Jay Glerum and Harry Donovan’s intensive theatre and concert rigging
40-hour seminar, Seattle WA
This seminar combined study, lecture, and hands-on training to give me a solid foundation in the theory and practical aspects of concert and theatre rigging.
Siena Program
Siena, Italy - via Buffalo State College's Study Abroad Program
I spent one semester in Siena, Italy studying art history, sculpture, and Italian language.